By Horst Bredekamp, Tatjana Bartsch, Marcus Becker, Charlotte Schreiter
The goal of this quantity is to enquire into the size of the cultural perform of the copying of old artwork. Copies because the basic - the unique? - that says to be the secondary are the motor of various tactics of cultural alternate during which hugely different content material and messages have been traded and communicated. As items and media of the transformation of antiquity, copies "bring to existence" the situations of a probably uncomplicated reception of antiquity.
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Extra resources for Das Originale der Kopie: Kopien als Produkte und Medien der Transformation von Antike
Here as in other contributions of the first section, above all processes of copying and reproduction within a single artistic genre, namely sculpture, are pursued. Especially the last-mentioned contribution lends the question of the modern manufacture of copies a dimension that refers back directly to the connection to archaeological Kopienkritik. g. Winner (1998). 36 Tatjana Bartsch – Marcus Becker – Charlotte Schreiter a competition among the available reproductive media, as Stefanie Klamm explains in her contribution.
Rather than merely substituting for live models, these figures represented for him the quintescence of Antique nature studies and thus were the most suitable models of all. Van Heemskerck’s Antique studies affirm in practice Vasari’s high appreciation of drawing as a repository of visual knowledge, as a medium of artistic refinement and an instrument for the recording of mental designs. Furthermore they also fulfil his demand for bringing together representations of everything that is most beautiful in nature according to the principle of the electio towards the aim of creating a perfect whole.
17), Stendal 2006. Barkan, Leonard, Unearthing the Past. Archaeology and Aesthetics in the Making of Renaissance Culture, New Haven et al. 1999. Bartsch, Tatjana, »Kapitell. Colosseum. Überlegungen zu Heemskercks Bildfindungen am Beispiel von fol. 28 r des römischen Zeichnungsbuches«, in: Zentren und Wirkungsräume der Antikenrezeption. Zur Bedeutung von Raum und Kommunikation für die neuzeitliche Transformation der griechisch-römischen Antike, Festschrift für Henning Wrede, hg. v. Kathrin Schade/Detlef Rössler/Alfred Schäfer, Münster 2007, 27–38.
Das Originale der Kopie: Kopien als Produkte und Medien der Transformation von Antike by Horst Bredekamp, Tatjana Bartsch, Marcus Becker, Charlotte Schreiter