By Christopher Heywood (eds.)
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Extra info for D. H. Lawrence: New Studies
A sense of divinity is aroused, and this, it seems, needs to be expressed either in terms of the negative attributes of mysticism (,without sound, / Without eyes, without hands'), or the positive symbolism of the Old Testament: Yet, flame of the living ground He stands, the column of fire by night. (CP, p. 39) The biblical 'column of fire' is also, however, the absurdly erect penis, which, like the John Thomas of Lady Chatterley's gamekeeper, is a perky, independent creature. The very force which is felt as the overwhelming power of the unconscious is also regarded as the agent of a comic and slightly embarrassing physical reaction with a will of its own like an impudent collier who will not show respect to his 'betters': Then willy nilly A lower me gets up and greets me; Homunculus stirs from his roots, and strives until, Risen up, he beats me.
It is one which had occurred frequently in his earlier work and which is particularly noticeable in the letters he wrote during the 1914-18 war. His letter, for example, of 9 November 1915, written to Lady Cynthia Asquith from Garsington Manor, Oxfordshire, strikingly anticipates the seasonal imagery and even some of the phrasing of 'The Ship of Death': When I drive across this country, with autumn falling and rustling to pieces, I am so sad, for my country, for this great wave of civilisation, 2000 years, which is now collapsing, that it is hard to live ...
CP, p. 148; emphasis added) The stress on 'dark' in these two lines passes over into 'gloom' in the next stanza, and the words 'north' and 'purple' become the key to more iterative rhetoric as the poem progresses. A booming resonance and somnambulistic motion in the second and third stanzas, created by further hypnotic repetitions, produce drugged cadences which aptly express the 'moaning of sleep-bound beings in travail that toil and are will-less there / In the spellbound north'; and, though the poem ends with the apocalyptic suggestion of a pent-up force that will burst out at last, the dominant impression remains that of a land and its people in a machine-induced trance.
D. H. Lawrence: New Studies by Christopher Heywood (eds.)