By Robert Paul Weiner
For the earlier decade, creativity has been extolled as a advantage in schooling, company, and the media. Creativity and past deals a wide-ranging, interdisciplinary journey of cultures prior and current to envision the various methods humans have conceived of "creativity" and the way the typical realizing of creativity is altering within the present flux of worldwide tradition. The e-book demonstrates linkages between disciplines and cultures by using many illuminating examples-Egyptian pyramids, chinese language philosophy, Michelangelo, jazz, the United countries, genetic engineering. Weiner analyzes the ways that knowing creativity is tied to broader modern styles, together with highbrow matters with postmodernism; tendencies within the arts; the altering prestige of girls; the facility of the digital media; multiculturalism; advancements in psychology, technology, and expertise; and the dramatic political, financial, and social variations of our age.
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Extra info for Creativity and Beyond
The new way of theorizing consisted in asking about the causes or first principles of things and coming up with natural, materialist, or abstract answers, as opposed to anthropomorphic, mythological ones. According to Plato, only by making something following eternal, unchanging models will anyone accomplish something good and beautiful (Timeus, 28 a–c). The poets therefore bear limited responsibility for their work. Since nature, crafted by the demiurge, is already an imitation of the eternal ideas, the arts are merely imitations of the imitation, and therefore "far removed from the truth" (Republic X: 597–98).
But even if kings could create like gods, that hardly meant that other mortals could do so. they may have done so in the belief that they were acting in accordance with transcendent forces expressed in the stars. In general, ideas of creation in Egyptian religion seem to have been directly tied to ideas of death and rebirth; and although ancient Egypt boasted magnificent temples and other monumental work, much of it was dedicated to sheltering royalty in the afterlife (and honoring the gods).
When King Ahab and Queen Jezebel turned Israel toward the worship of the Phoenician fertility god, Baal, the Prophet Elijah led the massacre of thousands of apostates. Indeed, Hezekiah later is depicted as destroying the seraph serpent, called Nehustain, for it was idolized by the people and given offerings (2 Kings 18:4). after all, God made the earth, so He knows best. 8:22–25). 15). 30:15–19). Ultimately, there is "nothing new under the sun" (1:9). Then I looked on all the works that my hands had wrought, and on the labor that I had labored to do, and behold, all was vanity and a striving after wind, and there was no profit under the sun (2:11).
Creativity and Beyond by Robert Paul Weiner