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By Craig Dionne, Parmita Kapadia (eds.)

ISBN-10: 1137375566

ISBN-13: 9781137375568

ISBN-10: 1349481483

ISBN-13: 9781349481484

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This theater has been variously referred to as the Grant Road Theatre, the Royal Theatre, and Shankarseth’s Old Playhouse. 12. Hansen, “Parsi Theatre,” 43. 13. Gupt, Parsi Theatre, 19. 14. Cited in Gupt, Parsi Theatre, 29. 15. Yajnik, The Indian Theatre, 116. 16. Willmer, Theatricality, 206. 17. Hansen, “Parsi Theatre,” 66. 40 l Vikram Singh Thakur 18. ” This style of singing originated in opposition to Dhrupada that had rigorous and fixed rules. Bhavai is a folk drama while garba is a folk dance of Gujarat.

Shakespeare may have become more visible in Indian cinema with Bhardwaj’s Maqbool (2004) and Omkara (2006) but there is a huge corpus of Bollywood films revolving around Shakespearean themes like star-crossed lovers, feuding families, familial infidelity and ambition overpowering duty, since the 1920s. Ashish Rajadhyaksha, a film scholar, gives Sohrab Modi the credit for bringing Shakespeare to the Indian Screen (1999). One of the earliest Bollywood talkies to be based on a Shakespeare play was Modi’s Khoon ka Khoon (Hamlet) in 1935, which was followed by Said-e-Havas (King John) in 1936.

Ania Loomba raises this important question and argues that the colonialist presence was felt differently by various subjects of the empire some never even saw Europeans in all their lives, and for them authority still wore a native face. ” In other parts of the world colonialism had penetrated much deeper into the everyday existence of natives of all classes. These patterns also shifted over time. 53 Both Bhabha and Fanon argue that the colonial subject undergoes the split in identity in the colonial world.

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Bollywood Shakespeares by Craig Dionne, Parmita Kapadia (eds.)

by William

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