Read e-book online Assault on Culture PDF

By Stewart Home

ISBN-10: 1873176309

ISBN-13: 9781873176306

" a lot of the knowledge is taken from imprecise resources and the e-book is key studying for a person drawn to the topic. It demystifies the political and inventive practices of competitors to the dominant tradition and serves as a easy reference for a box principally undocumented in English. it's also engagingly sincere, unpretentious, wondering and speedy in its impact" Artists Newsletter.

"Reflecting the uncategorisable element of paintings that hurls itself into visionary politics, the booklet will have interaction political scientists, functionality artists and activists" paintings and Text.

Contents:

Preface.
Introduction.
1. Cobra.
2. The Lettriste Movement.
3. The Lettriste overseas (1952-57).
4. the school Of Pataphysics, Nuclear artwork and the overseas stream for an Imaginist Bauhaus.
5. From the "First international Congress of Liberated Artists" to the basis of the Situationist International.
6. The Situationist overseas in its heroic section (1957-62).
7. at the theoretical poverty of the Specto-Situationists and the valid prestige of the second one International.
8. The decline and fall of the Specto-Situationist critique.
9. The origins of Fluxus and the flow in its 'heroic' period.
10. the increase of the depoliticized Fluxus aesthetic.
11. Gustav Metzger and Auto-Destructive Art.
12. Dutch Provos, Kommune 1, Motherfuckers, Yippies and White Panthers.
13. Mail Art.
14. past Mail Art.
15. Punk.
16. Neoism.
17. type War.
Conclusion.
Afterword.
Selected Bibliography.

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Extra info for Assault on Culture

Sample text

Cette collégiale montre que la forme basilicale occidentale constitue aussi la base du nouveau système, bien que plusieurs fois agrandie Vue du chevet, église Sainte-Marie-duCapitole, Cologne (Allemagne), 1049-1065. 31 32 33 Vue extérieure nord-est, double chapelle Saint-Clément, Büsum (Allemagne), 1434-1442. 34 et enrichie de nouveaux éléments. Les anciennes parties fondamentales que sont le chœur, la nef et le transept ont été conservées. Mais le chœur est régulièrement agrandi par l’aménagement, entre lui et le transept, d’un espace carré de la dimension du carré obtenu, comme nous l’avons vu, par l’intersection de la nef et du transept, c’est-à-dire de la croisée.

C’est en Rhénanie que l’on rencontre le plus de basiliques à piliers, ce qu’il faut sûrement attribuer à la présence d’une grande quantité de tuf, un matériau poreux qu’on ne peut travailler qu’en gros blocs. Les basiliques hypostyles, avec en plus un toit plat, sont rares ; c’est avec les basiliques à piliers que l’architecture rhénane romane proprement dite s’est épanouie. Ses plus importantes représentantes sont les trois cathédrales impériales de Mayence, Worms et Spire. Elles sont en même temps les ouvrages les plus vastes et les plus accomplis artistiquement de l’architecture romane en Allemagne.

Sa reconstruction ne fut entreprise qu’en 1772. Mais à peine les travaux terminés, elle fut pillée une seconde fois par les Français qui en firent un entrepôt de foin pour leurs chevaux. L’édifice demeura dans cet état d’abandon jusqu’en 1814, alors que le Palatinat appartenait encore à la Bavière. Le roi Maximilien Ier entreprit de réhabiliter une nouvelle fois, en 1822, le respectable monument de l’ancienne grandeur impériale allemande. Son successeur, le roi Louis Ier de Bavière, lui manifesta une encore plus grande sollicitude.

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Assault on Culture by Stewart Home


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