Get Art History: The Key Concepts (Routledge Key Guides) PDF

By Jonatha Harris

ISBN-10: 0415319765

ISBN-13: 9780415319768

Art historical past: the main Concepts is a scientific, trustworthy and obtainable reference consultant to the disciplines of paintings background and visible tradition. Containing entries on over two hundred phrases critical to the historic and theoretical learn of paintings, layout and tradition regularly, it truly is an fundamental resource of data for all scholars, students and academics.

Covering the improvement, current prestige and destiny path of paintings background, entries span a large choice of phrases and ideas similar to summary expressionism, epoch, hybridity, semiology and zeitgeist.

Key beneficial properties include:

* a easy A-Z format

* totally cross-referenced entries

* feedback for additional reading.

Engaging and insightful, in addition to effortless to stick to and use, Art heritage: the main Concepts builds a thorough highbrow synthesis for realizing and instructing paintings, artwork background and visible tradition.

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Additional resources for Art History: The Key Concepts (Routledge Key Guides)

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In Leon Baptista Alberti’s Della Pittura [On Painting] (1435)) was used to indicate that a theoretical understanding preceded and guided the practice of the activity, in accordance with established, though evolving, rules and precepts. These ‘liberal 20 ART arts’, then, were separated from, and elevated in status above, other activities seen as essentially practical – such as stone-masonry or stained-glass work – which later became understood as crafts, and the work, not of especially creative artists such as Leonardo da Vinci, Raphael, or Michelangelo, but rather of (certainly skilled) artisans or craftspeople whose individual names and lives were not regarded as crucial in accounts of the value of their work.

3 (Routledge: 1999). Hempel, E. Baroque Art and Architecture in Central Europe (Penguin: 1965). Varriano, J. Italian Baroque and Rococo Architecture (Oxford University Press: 1986). Wo¨lfflin, Heinrich Renaissance and Baroque (Cornell University Press: 1966). BAUHAUS An amalgamation of the Weimar Academy of Fine Arts and the Weimar School of Arts and Crafts, bauhaus was the name for a teaching institution set up in 1919 in Weimar, Germany, by the architect Walter Gropius. His aim was to create an art school that would unify the full range of artistic disciplines, particularly bringing together the visual arts and architecture.

By the mid twentieth century, a version of art-for-art’s-sake (sometimes called formalism) developed by American critic Clement Greenberg rescued the paradoxically political anti-political strand originating in Gautier’s circle over a hundred years earlier. Abstract^ expressionist painting, as part of modernism, Greenberg believed, rejected capitalist society and culture in favour of a ‘purified’ expression purged of narrative and symbolic references to the world outside. Avant-garde groups, after the surrealists, mostly gave up any kind of orthodox political or ideological beliefs, retreating to ‘art itself ’ – art-for-art’s-sake – as the last bastion of value and authenticity in contemporary society.

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Art History: The Key Concepts (Routledge Key Guides) by Jonatha Harris

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