Adolf Hitler: Die Jahre des Aufstiegs 1889 - 1939. by Volker Ullrich PDF

By Volker Ullrich

Die neue große Hitler-Biographie für unsere Zeit

Wer conflict Hitler wirklich? Dem Zeithistoriker und Publizisten Volker Ullrich gelingt es eindrucksvoll, hinter der öffentlichen Figur des »Führers« den Menschen sichtbar zu machen: mit seinen gewinnenden und abstoßenden Zügen, seinen Begabungen und Talenten, seinen Komplexen und mörderischen Antriebskräften. Neben der neuesten Literatur hat der Autor auch bislang unbekanntes Archivmaterial ausgewertet. So kann er dem bisherigen Hitler-Bild wichtige Facetten hinzufügen, etwa was once Hitlers Privatleben, seine Beziehung zu Frauen und die Berghof-Gesellschaft betrifft. Von den Anfängen bis zum Höhepunkt seiner Macht 1939 vollzieht der erste Band den durchaus aufhaltsamen Aufstieg des Diktators nach. Eine glänzend erzählte Biographie, die Hitler nicht als Psychopathen zeigt, sondern als Meister der Verführung und Verstellung – und gerade dadurch die Abgründe seiner Persönlichkeit greifbar macht.

»Seine Beiträge zur deutschen Geschichte vor allem des 19. und 20. Jahrhunderts verbinden eigene Forschung und kraftvolle Synthese auf glänzende Weise und erreichen dadurch ein großes Publikum.« Zur Verleihung der Ehrendoktorwürde der Universität Jena 2008 an Volker Ullrich

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Additional resources for Adolf Hitler: Die Jahre des Aufstiegs 1889 - 1939. Biographie

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This is the essence of Jakobson’s double-edged use of the word equivalence. In non-poetic texts an unusual or unexpected substitution of a term from the paradigmatic axis involves a conspicuous departure from the dominant and parallel progression of syntagm and referential continuum. In poetry the intrinsic, textual parallelism of syntax, metre and sound pattern literally destabilises this compositional and interpretive relationship. In nonpoetic language the distinction between metaphor and metonymy is secured by the extratextual, ideational images created by the text: in poetry material, textual figures and devices create a constant interplay between the structural features of the text and their referential counterparts.

The principle of equivalence is projected from the axis of selection into the axis of combination. This thesis guarantees the status of poetry not simply as a separate linguistic genre, but as an expressive, indeed an existential, condition that is structurally and functionally unique. Poetry is the only kind of linguistic discourse in which the encoder’s command of the signans predetermines the relation between the signatum and the perceptual, experiential continuum of the prelinguistic world.

The following is from a 1960 paper on ‘Linguistics and Communication Theory’. Language presents two considerably different aspects when seen from the two ends of the communication channel. Roughly the encoding process goes from meaning to sound and from the lexico-grammatical to the phonological level, whereas the decoding process displays the opposite direction—from sound to meaning and from features to symbols. While a set (Einstellung) toward immediate constituents takes precedence in speech production, for speech perception the message is first a stochastic process.

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Adolf Hitler: Die Jahre des Aufstiegs 1889 - 1939. Biographie by Volker Ullrich

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